数字绘景高级技术 FXPHD – DMP203 Digital Matte Painting Techniques III

从摄像机镜头匹配到环境合成整个MP流程，讲解Nuke中的2.5D，利用Maya的layout和PS中的绘景技巧

Ludovic Iochem将在一个更大的项目上，从matchmove到CG环境的合成，继续分享数字哑光绘画和环境技巧和技术。在这门新课程中，我们将把这项技术推广到2.5D环境中，并将学习如何通过Maya中的布局和Photoshop中的DMP创建CG环境，从Matchmove相机到Nuke中的2.5D脚本。这是Iochem关于数字哑光绘画系列的第三部分，所有课程也在学期内提供。

Prof Ludovic Iochem is a Digital Matte Artist – Environment Artist working at Double Negative, London. His credits include a lot of very various projects, from Bourne Ultimatum, Quantum of Solace, Tree of Life, or Love in the time of Cholera, to Thor – the Dark World, Hellboy 2, Total Recall or Dredd. He’s now working as Lead Environment Artist, and is currently involved in the next Ridley Scott project, the book of Exodus. With Nick Marshall, he was an instructor for NUK307 Advanced Matte Painting term for the October 2012 term, and he was instructor for DMP201.

课程目录：

  • Class 1: Brief, analysis of the plate and the matchmove camera. Layout 1.
  • Class 2: Layout 2 and Export to Nuke.
  • Class 3: Quick Setup of projection in Nuke and preparation for the DMP.
  • Class 4: DMP Class 01
  • Class 5: DMP Class 02
  • Class 6: DMP Class 03
  • Class 7: Projection in Nuke, Analyse, and Patch
  • Class 8: Final DMP/Proj setup and delivery to comp
  • Class 9: First pass compositing of the shot.
  • Class 10: Tackling the key at the end of the shot. Removing highlight fringing. Match blacks and whites. Quick tour of the camera tracker.

官网：http://www.fxphd.com/fxphd/courseDetails.php?idCourse=443

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